Traceable Relation [To stay inside to attend to the more proximal inside] | Poetry Daily

Cuts & clips of vocals into a rhythmic scat | Reprinted and translated into Brazilian Portuguese by Natalia Affonso in a sound answers a sound, edited by Emmy Catedral, Marian Chudnovsky, Manuela Moscoso, and Rachel Valinsky

In a time of | Rabbit Annual, No. 1 [pdf]

Five poems | Vestiges 07—Catachresis [pdf] | CHECK translated into Polish by Olga Rembielińska

W9NCD | Bæst: a journal of queer forms & affects [pdf + jpeg]

from Traceable Relation [That one Ani DiFranco song] | 9 Poems [pdf]

[Towards durational writing.] | What do you say? A Spontaneous Publication of RAD! Books

Two strangers | Academy of American Poets [pdf]

Invocations | Indefinite Space [image]

A one-sided phone conversation recorded as video; in a plain ponytail and no make-up we roll r’s deep as the ground [pdf] | A Mouth Holds Many Things: A De-Canon Hybrid Lit Collection

from Dread Poem | Tripwire [pdf]

I will tell an old story of my name | The Flow Chart Foundation’s Amtrak Poetry

Dusk | Dawn | The February 25 Society, Year 2 [pdf]

Come suono a me stessa come suono in voi?, translated by Giulia Ottavia Frattini; My Native Language Is Noise, translated by Maria Luce Cacciaguerra; Of leaving the language melancholia party early, translated by Giulia Ottavia Frattini and Francesca Fontanesi; pollice su strati di halo-halo spettralmente sulla mini seduta rosa, translated by Valentina Cipulla Callegarini and Giorgia Zaffanelli; Adagiarsi nei grembi linguistici, translated by Giulia Ottavia Frattini | le poesie sono come caramelle dolci e appiccicose sogette a cambiamenti: nuovi poeti newyorkesi in traduzione +

uhá, ambetel sa panaon natan | The Brooklyn Rail

anlong | exquisites vol. 2

A modified squat [01:14:20]; Germinal [01:27:50] | Bone Bouquet [pdf]

from Traceable Relation [Footsteps amplify silent attention] | Paradiso Reading Series broadside [pdf]

Thumb over the halo-halo layers ghostly over the seated pink mini, I will tell an old story of my name | The Margins [pdf]

Autohistoriography of Arrival to a River | Cleveland Review of Books [pdf]

Composition II (text + visual poem after Christina Quisumbing Ramilo’s Composition] | Ursula, Issue 8 [pdf]

Untitled | Not for Resale;  Nominated for a Pushcart Prize

ROOM TONE | Belladonna Chaplet #297 [pdf]

Winter Room; Heavenly Hibiscus [01:04:00]; Fire [00:56:42]; Endangered [00:12:50] | Harp & Altar [pdfs 1, 2, 3, 4]

Time Study/Of the slowdown & DING-DING!; Desk (for DDD)/from Two strangers; I wasn’t expecting that (9 Apr 2020)/Arc of a moving vehicle like a spaceship; You can actually say something (2011-2018)/A one-sided phone conversation recorded as video | Bæst: a journal of queer forms & affects [pdf]

from Taos & Tucson Poems, from a traceable relation | A Perfect Vacuum [pdf]

Voice Noise: a multichannel English (Philippines)-Filipino language Google Doc speech-to-text transcription of recorded calls + training videos, a collaboration with Jesse Chun | Juf [pdf]

All the Pinays are straight, all the queers are Pinoy, but some of us | The Filipinx Edition: Prose and Poetry, curated by Irene Soriano Saxon| The OutMuseum

A dense field of sound, a relaxation, a reading of space; Cuts and clips of vocals into rhythmic scat; A melody contour repeats precisely into | West Branch [pdf]

harrow the islands (video poem) | F I V E S: A Companion to Denver Quarterly | Best-of-the-Net Nomination [pdf, image]

A setting of sun tones says | Foglifter [pdf]

Poem as Abstraction of My Voice | Anamorphoseis 2 [pdf]

a feeling has passed before a charted present | Poem-a-Day, Academy of American Poets [pdf] | Entropy Best of 2020-2021 [pdf]

All the Pinays are straight, all the queers are Pinoy, but some of us | Q&A: Voices from Queer Asian North America

: rock // neverended : | Poetry Society of America [pdf]

“prageeta,” “ted,” “p.” | Blazing Stadium

from : pours pour : [see the moon]; from : pours pour : [wall small bone] | Sinister Wisdom

pangasinan chora, From Occult Docupoesis #1 | Apogee [pdf] | Best-of-the-Net Nomination

Ambient Mom | Pleiades [pdf]

rouged boar | Marble Hill Camera Club Zine [pdf]

I marry myself to a mountain tonight, the one I’m on | dusie [pdf]

tina d, susan h, presentación, Painting No 1, prolegomena | Bæst: a journal of queer forms & affects [pdf]

Relative meaning (Smith, Whitten, Bradford, Nengudi), Ditches of Santa Cruz, polarities | The Tiny [pdf]

ANTI-MANIFESTO, APPROPRIATE FAILURES | Blazing Stadium [pdf]

Four poems from AMBIENT MOM | TLDTD: a biennial journal for Filipino poets and poetry [pdf]

irrelevant illegible, why letter ellipses, Dear Archon, Dear Archon | Folder [pdf]

quiet air & immobile people | Bitter Melon: Stay at Home Diary

Two lions in the impossible, a little museum, dark, Of hand sanitizer (with Dryden), S has a dream, amber | Can We Have Our Ball Back?

circus tent domed in new age, at the Radnóti | Aster(ix) [pdf]

a sacred heart is not immaculate | Clarity Haynes: Altar-ed Bodies Denny Dimin/ New Discretions Exhibition Chapbook [pdf]

Dear Archon [birthplace] | wildness [pdf]

low cloud | I Scream Social Anthology [pdf]

stitch | The Brooklyn Rail [pdf]

2pm Pavarotti doc 107F, french for horsehead anarchy | mid hriff

dyke line break | Entropy [pdf]

from The Sky Forever [reenact reincarnate the earthquake], from The Sky Forever [to say your land vanished] | Hayden’s Ferry Review | Reprinted in Academy of American Poets [pdfs 1, 2]

The Sky Forever | OUTsider Festival performance with Andee Scott (audio tracks)

Untitled | Guest

from (once) teeth bones coral, from (once) teeth bones coral, All the Pinays are straight, all the queers are Pinoy, but some of us | Conflict of Interest [pdf]

Archive | Counter-Desecration: A Glossary for Writing Within the Anthropocene | Reprinted in What Nature? Boston Review Forum VI [pdf]

But I wanted to tell you something | What Do We Do Together?

Song | “Trees” playlist, Verse

Lungless and the Petiole at the Barton Springs Run-Off | Poetry Northwest [pdf]

from Outside of magic and metaphor | HOLD: A Journal [pdf]

disarmament, four-legged forecast for riverine low country, Never shown loyalty (Gemini super new moon), Poem about cooking then one about a dream, Song, Song, Song | Entropy [pdf]

Dearest, I'm Writing from Inside This Place to You Who Are in a Totally Different Place | Texas Review [pdf]

I was born for a stricter regime, [untitled] | Puñeta: Pilipinx Political Poetry [review; pdf]

Spectacular indwelling | Galatea Resurrects [pdf]

Where is my emotion in this landscape, What do you remember about stillness | Nat. Brut: Queer/ Trans/ Asian Folio [pdf]

Are you the moment the source of information? | Austin Public Library National Poetry Month

Because You Need to Feel | Elderly’s Not My Country

a place gets boring and the dream world starts, mine, When they appear to be on break and everything’s casual | Marsh Hawk Review [pdf]

Weird Little Girl | smoking glue gun [pdf]

Citizen | La Vague Journal [pdf]

Essay in Six Parts | Matter [pdf] | Best-of-the-Net Nomination

Untitled | ATTN

Pancake Face (Friday September 13 11:48am) | As Us [pdf]

About Errant Drift, Monolinguist’s Trick, The Book of Ant Bites | Dismantle

No Soothing Mother, Ornamental, Circle of Anthropologists | Drunken Boat/ Open City AAWW [pdf]

I Was a Twelve-Year-Old Pervert | Best of Kore Press

I Was a Seven-Year-Old Plagiarist | Everyday Genius [pdf]

Language Revival | Fact-Simile [pdf]

Keen | Spiral Orb [pdf]

I Was a Twenty-Four-Old Separatist | Horse Less Review [pdf]

I was born for a stricter regime | Esque: REVOLUTIONESQUE

translation | Lantern Review [pdf; screenshot]

The Water Cure Helped, A Love Letter; The Book of Ant Bites, Hesitate | Lingerpost

Cassandra Predicts This Fall's Recreational Torture of Gay Men | Bone Bouquet [pdf] | Pushcart Prize Nomination [pdf]

Instructions on travel in the new empire, Koreans eat weird food too, How I became femme | MiPOesias

Nuno | Make/shift: Feminisms in Motion

Material History, Taysha-Teja-Nueva Filipinas | Mythium

Kundiman for Melissa | {m}aganda Magazine [pdf]